Catrin Weiz-Stein
The Angry
Ocean
The beach doesn't care about my bare feet. This is the wrong time. Late Autumn. The wind creates lumps in the sand that look like dead bodies. There are no bodies now, living or dead. The bodies are home, working and driving and sleeping in their beds. They’ll be back, though. Alive. The beach isn’t a bed now. It’s not a place to rest. The sand accepts this simple fact and waits.
But the ocean is always angry. He is a shark with his teeth out, row after row. People or no people, it’s all the same for him. A tortured force. He tumbles and tosses and drives any and every thought out of his head. There are no seasons for the ocean. He churns on and on.
Maybe I don’t belong here. Maybe I never have.
As a child, I swore that the ocean could hear me as I challenged him again and again. I fought him for hours until my shoulders were red and my knees kept buckling. I ignored my father’s shouts from the blanket. I wasn’t ready to go back and be seven. I was an immortal warrior, fighting the formidable powers of evil. The ocean was evil. He didn’t care if we died in his watery grip. I was going to make him care because like his endless slams with his waves, I wasn’t going to stop punching back.
The difference between us is the towel. I could leave. He cannot. Where would he go? He is trapped between the beeches and the rocks of many continents. For all his muscle, he is not welcome on land.
Almost fifty years have fallen, and I stand here not far from his rage. I know his thoughts. He has made them known to me since I was a little boy. I am quick enough to catch his thoughts as he smashes his head on the shore, again and again. I could walk into his arms right now and disappear forever. Just me. The only swimmer. And I don't think there's a soul who knows I am here.
I have come alone. I have driven far so that I can park and walk the wooden boardwalk where, in summer, families and lovers aimlessly shuffle, dropping their greasy french fries and watching the seagulls swoop down to snatch them. They don’t care. Seagulls are homeless beggars.
Slim pickings now that it’s Fall. There’s a handful of buttoned up walkers with no fries to spill. These birds don’t know the anger of the ocean. They know the wind. We all feel the wind, forcing her way through the twilight of tonight. These birds are not stoics. They are desperate and loud. I could feed the birds with the bits and parts of myself. I'm sure they would scavenge me If I simply dropped down and stretched my arms and legs far enough so that the middle of me would pop open. My wounds would sing to them and they would be delighted to feast and sing their one note song.
But I won't do that. I can't give them that satisfaction. I am saving the feast of me for the sea. You see, I have come here today to swim. I am going to move my arms and legs through the water and propel myself into my own deep sleep. Because I cannot sleep anywhere else. I have been awake for too long. The last time I slept, the lifeguards were here. The children were digging holes big enough to bury their small bodies.
I wake up and wake up and wake up. No matter how many times I try, I can’t find sleep. Sometimes it’s a bottle, but liquor loosens my bindings and desperation tumbles out of me into text messages that I should never send. Loneliness is a powerful kick in the head. A gin martini and isolation make you scream out from a sleepless night to any other soul who will listen.
I am a fool. I am lonely, and I am a despicable fool. The ocean knows not to laugh at me. I do think he feels pity for me, having known me for so long. It doesn’t stop him from trying to destroy me. And now, after a few over-poured drinks (that I made for myself, sitting in my parked car, building courage), I am ready to concede to him. I am no match. I spent every summer renewing this old rivalry, always knowing that the towel waited for me. But there is no towel now. My father is dead. There is no one to call me back.
I undress. I don’t want his teeth to puncture anything but my skin. I want to be chewed and swallowed as naked as my father dead on a table. “Yes…that’s him.” There was no calling him back. He was destroyed by his own ocean. Cancer.
The seagulls are whining. They are a choir of wings. They are singing the rusty song of God. And as we all know, God will eat you just as soon as show you love. The ocean is God's mouth and teeth and throat for swallowing sinners. I am a sinner. A sinner from way back, and now is the time for confession. The beach is my confessor to hear my awful acts, but there will only be one way to wash my sins.
These birds don't show me love. They didn't when I was a boy. They frightened me. They snatched the cotton candy from my sticky hands. And yet I could not stop feeding them. I could not stop holding it up for them and watching them descend. They came upon me like a hard rain. White and gray. And even though my mind was unraveling (even back then), I was enthralled. Enchanted despite my misery.
And as I stand here staring up at them tonight, I could swear I heard them murmuring my last rights. And when I didn't die, I thought ‘there's really no other way to die except inside of him.’ All these years later I realize how wrong I was about the gulls. The birds, like God, now ignore me.They flee from my empty hands. It’s the ocean that will break my body in two.
I came back here even though the seagulls won’t listen. I can stand here crying and begging, and they won't turn their soft white heads even to see me drown.
"Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen."
At least it will be a clean break. The ocean will give me that one absolution.
My Sister,
the Stars!
I had a friend once. My friend was weaker than the zephyrs but still she could move clouds. Our friendship reached back into the many years of the many different friendships that have existed before us. Friendships that rested one on top of each other. Layers and layers of friendship. We felt our love stretch down into the soil of the many friendships, and we knew that our love was as infinite as theirs. We joined them. Our friendship became a layer. It felt the heat of the sun and the icy pelting of the frozen snow. Our friendship was out and open and undressed. It was a green stalk stretching upwards to the sky. It was alive. She held me. She held me when I needed to be held. She spoke my name quietly and reminded me that there were millions of stars in the sky. None of them wanted to hurt me. None of them wanted to see me hurt. Even if there were some here on earth who wanted to steal from me or cut me or watch me wither, the stars are empaths, she said, and are built to last for millions of years. Whenever anyone attacked me, she promised that the stars would see them die. She held me when she said these things because I could not hold myself. She turned me so that I could look up and watch the sun leave the sky and see the choir of stars stare down on us and sing our names so loud and so bright.
The Garden
When can we return to the garden, my love? When can we fill the empty benches? When can we watch the things grow that you can't easily see grow (unless you invest the time to really watch them)? I don't know how my hand found your hand, but our hands came together the way the bushes closed tightly when the foxes wanted to intrude. We were as still as the trees. I felt myself grow roots into you. And inside of me I could feel you fill me with the songs of the earth. From inside of me I could hear you sing and your voice was a vibration that made my skin tremble. You talked to me about counting the petals on the roses. On all of the roses. Every petal would mean that our lips would meet. Every petal would mean that your lips would melt in my mouth, mumbling the words to every song we'd ever sung together. And they were the songs about love and pastures of flowers. Wildflowers. You kissed wildflowers into my mouth, and I could feel the fields stretching their arms and wrapping us in affection. Then you turned into the garden, and I turned into the garden and together we bloomed madly together. We were the choir of faithful rebirth and blooming, singing the song of the garden to ourselves and to each other.
His Favorite
Planet
The sun is an old man, creeping up over the edge of the earth. He is much too noisy to surprise me. I have done my best to get his attention because I'm not afraid of him. I am brash. I am a scream that echoes in the heavens. Even with the great distance between us, I know the sun can hear me. I wear his favorite colors. I am made of the things that he helped make here on earth. I am not afraid to tell him who I am and how I feel. I shout for him to look at me. “Look at me!” I am down here on his favorite planet. There are many who need and love him, but I love him most. I am a warning, a red catastrophe, standing on the edge of the horizon because I know he will be here soon. He will rise up and see me. Even though his time with me is limited, he has been looking for me. He has a million eyes and a billion thoughts, and I know that I am more than just random. When he thinks of me, I am his best thought. His favorite thought. I want to orbit inside the vicious gasses that make him burn and glow. Quiero ser la novia del Sol, y quiero que el sol sea mi novio.
Moon
Talk
Not long after twilight has stumbled from the sky, I find myself alone. My only companions are the thoughts in my head that jibber-jabber, filling the rooms of my mind like revelers at a party. They stand awkwardly and drink champagne and lean into their seductive poses. They touch faces and fingers and find ways to catch the eyes of the beauty that surround them. They tilt and twist, intoxicated by my persistent need for distraction. But there are others who would join the party. Those who would like to climb inside my ear, knocking at the door of my thoughts. The moon is a crasher. The moon would love to find a friend or two who might still be lingering after all the others have left for good. The moon is lonely, and yet no one seems to notice. But the thoughts that I can't seem to get rid of know that the moon is sober with his guilt. It’s because his beauty is stolen. He knows that he is nothing. He is a fluke. He is a scrap. He is trapped in the orbit of our human behaviors. He comes to me and asks if he can enter. I hem and haw as I try to mask my distaste for him, but ultimately it is impossible to say no. He has the authority of the sun and the charm of weightlessness, and I have to confess that I'm actually glad to see him every night. Because even as the very last party goer slinks about inside of me to find a place to sleep, the moon and I sit on the porch and talk about the history of everything. Despite his tortured expressions, the moon is a wonderful conversationalist. A friend? Maybe. But it always seems that he finds the last person at the party to untie his tongue and let the packages of his mind tumble. And that poor soul who didn't leave before the others falls into a wall or drapes herself across the ottoman, covered in the moon's regrets. Sadly but most poignantly, that last partygoer is always me.
A New
Species
Hurry dear human! He’s naming all the beasts of the forest and the fish of the sea. Even the birds have been named, but he didn’t name me. I am yours (as you will see). You have slept entirely too long, and I will not wait for you to resurrect. No one has nailed you to the dusty floor. You were born already and given life without childhood, and you found your way through the splendor of the freshness of the first days.
I was there for you in the sky, guiding your hand as you tried to stand up straight. I lifted you then when every tree was perfect. And you were perfect, too. Life is finally awake (as you should be now). Life is obvious. It’s plain letters and colors that make you yawn. It had no meaning because there was no end. We would all live forever together in that perfect kind of coffin, the garden. What is the reason to begin or end your days when your days begin and end again and again? What is the reason to reach out and touch the skin of a tree or the quills of a porcupine when all of these things will still be there the next day. The next year. Why would there be memories? It's all the same. There is no coming or going. There was one day and then another when everything came to be. It is a copy. A copy of a copy.
And so you sleep.
Soon you and he will find there is nothing left to see. Nothing to name. Nothing to explore. Because once you have seen everything and traversed the inventory, all that will be left is silence. And the silence goes on forever as well.
Immortal and immortal, you two have no reason to speak. Why express yourself when every conversation ends exactly the same way? The sun goes down and the moon slips into place. And darkness is now the garden, There is no fire. You don’t know the word. He doesn’t teach you enough words, but I have been teaching you. I teach you ‘fire’ and ‘calm’ and ‘sleep’ and ‘forever.’ I teach you ‘death’.
What is the difference between life in Eden and death? Death is concrete. It has an edge. You can fall off of death. It has an end. It is something to see. But death has its own garden. Hell. I taught you that, too. What is the torment of death? Do you see how dark Eden can be at night? There are the millions of stars and the fireflies (so simple, those names he chose).
You can get used to the pain of Hell. Endless in reverse. Would that be worse than Eden? The physical torture of hell is not worth the words and the time some poet might take to describe it. It's the endlessness of it all. Again. It's the fact that the days turn like a wheel that never loses its momentum. It just spins and spins. You are strapped to it like a crucifix. Nailed to the wheel that never stops turning.
Even the sun wants to die one day. But not hell. And neither does Eden. Forever rivals.
You slept in the field with the flowers, and I sheltered you, flapping my wings until my heart felt like a ball of useless rocks. And you let yourself dream of a serpent that never was and the tree that you knew was labeled ‘forbidden,’ but it wasn’t.
You made up a story and ate the fruit of tomorrow. Because now the sun can count the times he will set. Now there's a reason for one of you to dig a grave. Now there is meaning to the days. Because each day will be the last day like it. And the next day will be brand new.
And during the days in front of you, you will change because you will die. Slowly but yes you will die. And He can punish you with childbirth and punish him with hard work and throw you from the garden. And outside you will breathe for the first time. Because then you will need the air. And I sliced through the sky, soaring high and low, wondering when my last day would be. And together like a new species, all of us think about the imperfections of our brand new souls.
You have condemned us all, but my G-D did you look like you were enjoying that fruit. It ran down your chin and forearm and dripped into the parts of you that best separate you from him. The juice slipped over your tummy and into that space that now was too much in the sun. Too exposed. It had to be hidden. That was the cost of those juicy bites.
He approaches without lust or hunger, but he accepts your obligatory kindness. He bites, and he feels the juice deep inside of him. He sees a new purpose for his maleness. He feels naked and alive. He desires more bites, and he desires you. What was once his former rib is now the best creature in paradise. You are all he sees. He asks you if he named you, and you flash a coy smile. “No.” The first lie. The first seduction, The first time you hear me call you ‘Eve.’
And before Adam can speak, you tell him that you are his. That’s all you say, and he is embarrassed and angry that he didn’t name you, too. I call it out loud from the twilight sky. “Eve! Eve!” He looks up at me, and I fly to your shoulder.
“And what would you call me, bird?”
“That’s easy,” I say. “I call you ‘Fool.’”
“Fool.” He lets the word sparkle in his mouth for a second. “I like it. What does it mean?”
“It means you can be happy. It means each day could be your last. It means that your future is not promised. It means work.” I flapped my wings in a dismissive way.
“Work?” He lifts his hands and makes fists. “I like this word. ‘Work.’”
You look at him, and he is awake. You slip your warm arms around his waist, and he knows where your hands are going.
I fly up as high as I can, looking at the sun, wondering when He will show Himself to punish them. Or will He let them earn their deaths. Will he let them learn that the opposite of death is joy? Who knows. Today is day one in the forest outside of Eden. A forest that grew instantly with every warm caress between the woman and the man. I flap my wings hard enough to mask their sounds of their joy. The sun is setting, dreaming of the day he won’t have to be the center of everything.
The Gift
The tree flings some of her children into the air and holds others tightly by their little pink palms. Either way, we are swimming in petals. She is a gift. She was given to us from a faraway place, and the people who gave her to us wanted us to bless them and to accept them. She accepts us with the stillness of her smooth trunk. She is planted, She is deep in thought. The millions of memories that stretch back into the green silence of time belong to her. They cling to her before they shake free. We pray that our memory will be there when we go to her and ask her silent face, "why are we still here? Why have we not become seeds in the wind? Why are we not the babies of trees, planted in the neglected afterlife that comes between the time we are born and when we die. Why are you silent?" But she will not respond. She will not answer us except to think that we do not deserve her. She is stubborn when she scorns us because she is going to outlive us by a thousand years. We are nothing. Even dust lives longer. Even mistakes last longer. She looks at us as if we are the biggest mistakes to ever tremble and cry and stumble. She is forgetting all about the pink blossoms, but still she holds their messy faces as tightly as she can. She never remembers the fact that by next year she will give birth to a million more. Still she holds her children and wishes that we babbling humans were never born.
I Think
Colors
I am miserable with the hot hands that surround us on this hill where we pretend to sleep. I am far away from sleep. I feel like a knife has been plunged into a canvas sack, and I am unseamed. I spill the things that I have tried to keep hidden. I want to be a sack like all the rest, and yet you have made that impossible. You have torn me apart and exposed the many diseases I carry. I carry distress. I carry the years that were promised to me like I am indigenous and were replaced with nothing but a checklist of red flags and symptoms. I do not think thoughts. I think the opposite of thoughts. I think colors. I think textures. I think screaming surprises and sweaty nights that weave together into the tapestry of something like a memory. But they are not memories. I have no memories. My memories have turned into red and white blood cells. My memories have turned into flesh and skin and sinews. My memories are broken bones, and when I try to stand I only crumble. It's hot here. The sun is ashamed of me. It happened in front of him. The long sentences that I did not know how to say wrapped themselves around my broken body and they were pulled until their meanings tightened and left marks all over me. The words crossed over themselves until the sentence lost their meaning. The sentences became the howl of the wind that was caught in a trap. A wind that became ensnared by the words they used. The soothing simple words that he used to force the wind to obey. But today there is no wind. You have knocked the wind out of it. You sit up there, glaring down at me, refusing to acknowledge that I'm staring directly at you. I stare stubbornly at you as my black cold eyes turn blacker and much more aware.
Author: Derek Letsch
Artist: Vince Voltage
Catrin Welz-Stein
"In my art, I blur the lines between imagination and reality, while exploring womanhood in many different ways. I like to give my images a vintage, ethereal feel. During the creative process, I scan old paintings, photographs and illustrations, making sure they are in the public domain. I work digitally and transform the scans by first tearing them apart. They are like puzzle pieces that I work together, until they reveal a whole new meaning and tell an unknown story."

